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>Feng Xin

Establishing a Practice: The Hong Kong Community Arts Archive Catalogue Initiative

Samson Wong

Establishing a Practice: The Hong Kong Community Arts Archive Catalogue Initiative The Hong Kong Community Arts Archive Catalogue Initiative is a project under the Department of Visual Studies of Lingnan University. The goal is to establish an expanding catalogue of publications and documentations, including books, web articles, newspapers, journal articles, forum discussion thread, audio and video materials relating to the practice of community and socially-engaged arts in Hong Kong. How can this catalogue be truly useful to practitioners, educators, policymakers and various other stakeholders?

Older people’s engagement with music learning through ukulele classes 

​——Wendy Brooks

As is the case in many countries, Australia’s population is ageing. The proportion of people over the age of 65 has been steadily increasing across the last century, with statistics indicating over 20% of the population fall into this demographic. This brings challenges around health and care infrastructures, as well as necessitating the provision of recreational and educational activities appropriate to the cohort. A growing body of research supports the significant contribution that participation in musical activities can make to overall health and well-being of older people. This presentation reports on the engagement of approximately twenty older people in ukulele classes within a regional conservatorium in a mining town in new South Wales, Australia. Although the classes were not planned specifically for older people, the majority of regular participants is over the age of 65. Consistent with findings of research and projects conducted in recent years across the globe, learning ukulele within a class provides older participants with opportunities for cognitive engagement, self- expression and social interaction. As the number of participants has grown and their confidence increased, the classes perform regularly at semi-formal student concerts and other events. Class members have initiated musical activities external to the structured classes, including performing at community events, and informal gatherings where class content is revised and rehearsed. A uniform bearing the logo “Dusty Ukes” was designed and is worn proudly.

ROAR: Moving Forward with the Community During Transitions

——Selana Kong 

During the COVID 19 pandemic, many artists’ livelihood and way of working has been interrupted and many artists may be struggling to find new directions and re-establishing new ways of working. Many have to change strategies, jobs, work locations, careers and even countries of residence. Although these transitions can offer new opportunities, they are often full of unpredictable challenges and obstacles. The ROAR coaching routine is developed for managing transitions through strengthening the emotional brains and social connections. It aims to strengthen our risk-tolerance, adaptability and collaboration within a community of practitioners and guide our decision making process during transitions.

Community music and social work education: Experience of a group song parody activity in a fieldwork placement workshop

——Lawrence  Wong

Community music could emerge in classroom of a social work education programme. The presentation will share about an experience of a group song parody activity in a mid-fieldwork placement workshop. The experience could resonate the essential elements of community music. Mutual support and transformation of students’ placement experience could be achieved through brainstorming and collective music- making, and they could be brought together as the parody resonated among the students. Practice wisdom will be shared and the relationship with community music will also be discussed.

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